Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Wednesday, 5 June 2013

Saturday gigs - 2013

Muziek Publique is one of my favourite institutions in Brussels. They run a venue near Porte de Namur Metro. It’s an old music hall type of place, seating maybe 500 - it has an ornate balcony (although I’ve never seen it occupied- perhaps for safety reasons). The concert hall is hidden away in a modernistic (read 1960s - or so) shopping mall. They must have built the mall around it (which must have involved a lot of lobbying from conservationist groups, but that’s another story for another time). The atmosphere is intimate, the audience covers a wide age range and the front of house is largely staffed by friendly volunteers.

They put on world music concerts about four times a week and these have become a regular haunt for me. This year alone I have been to see The Carolina Chocolate Drops (a black hillbilly band - from guess where?), two Malagasy bands (I’ve been listening to world music for twenty years or more, yet never come across Malagasy music before – I was impressed), the Bonny Men - an Irish folk band (whom I thought took themselves a bit too seriously – but this was their first European tour) and Samurai, a bunch of five accordionists (all of different nationality). That’s about one a month and every band has been so good that I have bought one of their CDs. In fact the only (paid) concert I’ve been to this year that wasn’t at Muziek Publique was Ron Sexsmith at Botanique (another more-than-pleasant venue).

But that’s not all they do: they also run music courses and every two months they hold a ball: ‘Bal Queimada’ at the Maison du Peuple in St Gilles Parvis. This is a bit like a barn dance, but so much more. Again the age group is wide (from teens to pensioners), the music is largely Celtic, the dances are frenetic and one of the highlights of the night is the ritual burning of the Queimada- a Galician(?) cocktail consisting (I think) of apple brandy, spices and coffee beans –it’s like a highly alcoholic version of Red Bull (except it tastes nice). Naturally after several shots of that no-one wants to go to home after the ball, so one inevitably ends up in another bar (the choices in and around St Gilles Parvis are quite extensive) with friends (existing old or newly discovered) and don’t think about going home until the wee hours (or later). Last Friday was one such evening – and Saturday became a non-event. It’s definitely one of the social highlights of my calendar in Brussels. Oh did I mention it’s free for members?

Here’s a few gig photos from the first half of 2013.



Malagasy band



Ron Sexsmith



Malagasy performer



Samurai

Friday, 22 April 2011

Public Spaces

The African architecture exhibition that I wrote about a couple of weeks ago has been receiving favourable comments in the press. And the theme, that of public spaces has been quite to the fore recently. This week I went to see a band - Staff Benda Bilili - whose story is quite remarkable. Apart from being disabled (most of them are in wheelchairs - actually they are more like customised trikes) they hang out around, and rehearse in, the zoological gardens in Kinsasha (because its quiet - there's almost no visitors since many of the animals have been eaten by the city's inhabitants). Their first album was recorded there. See the full story here and here . Now that's what I call making creative space of public spaces (rehearsing in the zoo that is - not eating it's inhabitants). And they rock - sounding something like a cross between Orchestra Baobab and the much missed Bhundu Boys. There's something ironic about a room full of able bodied people bopping along to music created by a group of mostly wheelchair-bound musicians....And its just an awesome sight to see three guys in wheelchairs customised trikes, and one on crutches as the lead line up in a dance band... Good news is they are on tour in Europe for the next couple of months.

The venue, Tivoli is also impressive - an old music hall - or somesuch, with a still-in-use balcony, it has a sloping floor - so even when you are standing at the back you can see still see the stage. Alongside the Melkweg in Amsterdam it has to be one of the nicest venues in the Netherlands that regularly has interesting musicians (and it's a lot closer to home!).

With spring now in full flurry the Dutch are also reclaiming their public spaces. I was in Utrecht to see the concert - and as the first warm koopavond (the weekly evening shopping) of the year it was impossible to find a seat on a terrace. The permitted drinking areas were closely demarcated by lines of discreet iron tiles in the pavement and woe betide anyone who set foot or chair outside of them. The one free space seemed to be the square in front of the city hall where the local tango dancing group had set up stage and open house for their first open air dancing evening of the year. I just sat and watched. I think that takes more practice than bopping along freestyle to African musicians.

Sunday, 6 April 2008

High Fidelity

The opening lines of the movie:

What came first, the music or the misery? People worry about kids playing with guns, or watching violent videos, that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands, literally thousands of songs about heartbreak, rejection, pain, misery and loss. Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music?

There is a sort of high fidelity blog on the (e-) Guardian where a writer suggests a musical theme (which can vary from, I don't know - an emotion, to songs with a colour in the title) and invites readers to suggest suitable songs. It's clearly popular - it attracts several hundred responses a week - and every week a list of the most interesting ten songs from the previous week is published (a sort of virtual themed compilation tape). I've only just discovered it.

Last week the theme was songs that make you cry. Turned out this was the most popular theme ever, confirming the importance of Nick Hornby's /John Cusack's question. Man of the World by Fleetwood Mac was the most popular weepie. You can find it on You tube (but I'm not going to link to it because it is so - maudlin - though the great guitar breaks and the shifts from ballad mode to hard rock do give it a lot of edge).

My vote for the greatest ever weepy song goes to In My Life by the Beatles. Its got nothing to do with heartbreak (well ok its not completely about it) - it just catches a sense of memories and nostalgia and feeling for things that have gone before - what a great ending falsetto and what a lovely video.

Thursday, 14 February 2008

A valentine's surf

A slightly tongue in cheek song in praise of single-life for any singles tempted on this day to think that a significant other would make their life better or happier....



Today there was news item about the earliest recorded reading of Howl being discovered in a University vault. I found this clip while hunting for the one above it shows how much Waits followed in the footsteps of the Beats


Thinking about Ginsberg led me to this clip from Renaldo and Clara


And then to this - rare footage of Kerouac reading from On the Road.


It's strange but despite having read most of his work and been infleunced by him I'd never seen more than a photo of him

Sunday, 30 September 2007

Stepping Out

Half way through boiling the carrots I realise it is a choice between dinner or dancing but not both – so I slap on some gel and Escada, drag my tightest jeans out the wardrobe and hoof it down to the car. Often I have a resistance to going out by myself to the big city (Arnhem) on a Saturday night– and often it's wise to listen to that – but sometimes I need to fight it. I’d seen a poster this week for worldbeats music – an alcohol and smoke free dance evening. A friend had been to one in Utrecht a week or so before and really enjoyed it. Barefoot freestyle dancing – people from a range of ages dancing to non mainstream music. Just the kind of therapy that I need. The Nigel Slater recipe can wait till Sunday.

The venue is a circus school located in the back streets of Arnhem and I find it surprisingly easy. The music’s good and people are dancing unselfconsciously. Not many big egos here. I feel at ease- within five minutes I’ve slipped my shoes off and am warming up. As soon as I hit the floor I there a plump chick starts making eye contact – persistently – and I remind myself that though I’m on the pull I also have standards – one of which is a BMI that at least allows for visible collarbones. So I gravitate to the other end of the dance floor and start checking the prospects – making eye contact, seeing who smiles back and who averts their eyes. I’m on the prowl, but in a happy-here-I am-way – rather than a hungry-gotta-find-me a woman way. And some of the dancing is truly weird there’s a woman practicing her yoga asanas, and a tall guy who mostly jumps up and down on the spot shaking his arms – and is all the more loveable for its weirdness.

And the music is good – did I say that already – a mixture of world music with a few conventional pop classics thrown in Stevie Wonder, Sting, a salsa remix of a U2 anthem. One point the DJ throws on a high octane hillbilly fiddle number and the whole room is rocking. Matter of fact he doesn’t play a bad record all night. At one point the eye contact I had been making with cute woman becomes more intense and we start dancing together or three or four numbers and it gets a bit intimate for a while and the eye contact is still there and with my male mind I am wondering whether this will go any further and about three minutes later she thanks me for the dance and we move away across the floor (and I realise soon after that she came with a partner). But dancing is good anyway.

The finishing song is Thank You by Alanis –really appropriate because I feel thankful to have found a group of people who love dancing, a DJ who knows how to keep the house moving and grateful to myself for stepping out tonight.

And all too soon its over and when I am getting my shoes back the plump chick comes over and talks to me and I realise she’s not hitting on me but is the organiser, who hadn’t seen me there before. And though we start in Dutch she soon twigs that I am not a native and the conversation turns to English and we find common themes (and the DJ is her boyfriend). She said it must have taken me courage to come here by myself and dance all night and I said much less than having my friends watch me dance. Then two of her friends -who avoided eye contact earlier- attracted by the English come over and say hello (mental note that I should play that language card more often) and while we didn’t swap phone numbers or anything there was a feeling of a process of melting ice and making new friends in a spontaneous way.

Out of the dance hall before 11: the night is still young and so I head back to Wageningen and the OK bar. It is the seediest skuzziest bar in town, the furniture looks like it was retrieved from skips (almost certainly it was) and the regular denizens look like extras from Mad Max. But – and its a big but- it’s the one bar in town that takes its music seriously. One night you can go in and they’re playing hard core dub reggae, anther night the bar maid is a Led Zep fan and on another you can get two hours of Johnny Cash – none of this pre recorded easy listening wallpaper music that the other bars specialise in – (is it the same tape they play in my supermarket?)

Tonight there’s a party there. They are teaming up with another krak (squatters) organisation that does organic veggie catering – who got evicted from their premises some time ago. There’s a band, happy hour prices on their (excellent German) draft beer and a nearly full house. Half of those there would probably even get past security at a conventional night club! But it’s a very different feeling from the dance night – I half expected to meet somebody I know to speak to (as opposed to the few i nod to) but mostly every one there is in little groups or couples. An Afrikaans bore tries to buttonhole me at the bar with a story about his wife leaving him – but I’d already haerd him tell that one in a loud voice to my neighbour so feign an urgent meeting at the end of the bar (which is more like a living room so it was a quite obvious brush off). When I comeback I engage the bar maid in conversation to block off my boorish neighbour and she starts telling me the story of her life or her day at least - how she moved house this morning and her ex boyfriend is in the pub with a new girl and she’s an artist and from one of the new EU member states. And then she realises she’s not doing much work anymore and I start helping her with the glasses and at some point we arrange to carry on this conversation later on in the week – and I’m thinking does that qualify as a date?

When the band come on they’re loud and not very good and while their girlfriends are doing their best to get the crowd dancing the most response they are getting is a bit of “shuffling around handbag” dance movements. Then the band kick into “Is she really going out with him?” that Joe Jackson song with that beautiful lolloping baseline I go and help out with the dancing for five minutes because its such an infectious base line and the band are pretty note perfect, but there’s not the same feeling as earlier.

The band play a short set – they probably don’t know that many songs – and I look around at the audience and remember that Russian adage about no such thing as an ugly woman – just not enough vodka. I decide not to try to artificially enhance the scenery but to make it home with a clear head. Bidding the bar maid goodbye I notice she has a intricate tattoo, a very narrow filigree sort of vine, running up her neck and curling up to just under her ear. “Nice tattoo.” She smiles and touches it somewhat shyly. “Till Wednesday”

Sunday morning I have no hangover – but a bad case of "can't bendover" - I can hardly reach the botom shelf of the fridge to get the milk out of the fridge. When was the last time I danced like that for two hours? I'll need a fitness regime to do that again soon.

Monday, 3 September 2007

High Fidelity

I bought my ex a copy of High Fidelity (amongst other things) for her birthday. I bought myself a copy too. Reading it again it doesn't seem like the most tactful gift to buy an ex who I still have feelings for. The irony in the first chapter about the author's five worst break-ups might not be appreciated. Let's be clear. This break-up certainly warrants a top five ranking in my all time list- not because A. was cruel or thoughtless but perhaps because the very opposite. She didn't want to hurt me and hid her feelings for too long and denied (to me and perhaps herself) that for her the flame had burnt out. And I played along with it and convinced myself that the flame was just subdued by difficult circumstances and was worth trying to breathe life into. I felt she was such a treasure that it was worth trying to weather the storm. What I didn't see was that she felt that I so was vulnerable that she didn't know how to say goodbye with making me cry. In that sense we both made mistakes. I've been crying - but as much about my blindness in not seeing the changes in our relationship as in the loss of the relationship itself. At least now I can see a way forward with both eyes open- for some time I had been wearing the blinkers of a love lost but not acknowledged

Now she has a new love in her life and a radiance that makes me happy and jealous at the same time. Pleased to see the radiance back in her face but upset that its not me that is putting it there. So new man -please respect and honour this woman because she is a treasure.

In the spirit of Nick Hornby here's my current top five songs (in no particular order) for wallowing in and getting through this sad time
1. Better Things - Massive Attack
2. Buckets of Rain - Bob Dylan
3. The Wedding Song - Joni Mitchell
4. Hold back the tears (just around the corner) - Neil Young
5. What a wonderful world - Louis Armstrong

Bubbling under
I'll rise - Ben Harper

Tuesday, 28 August 2007

Porn again

Being single again I find myself finding inordinate amounts of time on Internet porn and dating sites and chat rooms (hey do you need some textual healing??). Living in a small town has a real down side when you find yourself back in singles ville again - not necessarily because you want to go out on the pull straight away - but just to go somewhere where you can blend into the crowd and feel part of an anonymous mass of humanity - rather than feeling that your social status is determined by your (lack of ) ability to keep a relationship together. Much though advice about joining a social group is appreciated I find that half an hour's chatting with virtual strangers after a tennis match does not qualify as meaningful social exchange.

I guess I could take photos of the local gang of geese or start my novel. But for the moment I just want to listen to the most self indulgent and self-pitying rock and folk songs that I can find in my collection. Starting with Blood on the Tracks:
Now there's a wall between us - something has been lost
I took too much for granted - I got my signals crossed
Do I understand your question man? Is it hopeless and forlorn?
Come in she said, I'll give you shelter from the storm.

Bitter? Me? Like a lemon! Mix me with some brown sugar and a large splash of vodka, let me chill for a while and I will come out smelling like roses.

Thursday, 26 July 2007

Bad heroes

Recently I have a lot of time to browse the web and look at the biographies and life stories of my heroes, especially musical ones. A worrying set of key phrases has started to emerge: alcoholism, cocaine / heroin addiction , psychosis (usually LSD induced), rehab. One or more of these phrases applies to most , if not all of the artists in my CD / record collection. The list of premature y demised rock stars is too long to even recount here. It goes well beyond the usual celebrated casualties who died too young and those who almost did. Think Syd Barrett, Nick Drake, Marianne Faithful,Peter Green and, and, and... The same holds true for ''my'' writers: Hemmingway, Miller, Brautigan, Kerouac, Hunter Thompson, and artists (Toulouse Latrec, Van Gogh). So many of these creative and inspirational artists had, if not serious personality defects, then at least, an seemingly inexistinguishable death wish.
Seeing this pattern raises questions for me about creativity, "normality" and my judgement about choice of heroes. The most creative people seem to live on the edge of mortality, playing with the angels. Should we be grateful that Keef Richards, Leonard Cohen and Lou Reed are still with us? Or should we castigate them as bad role models? Sometime it feels like they are singing or playing from "the other side". They have diced with death so often that their very survival makes them seem blessed.
I don't want to draw any moral conclusions here (though am sure that others might) but I am wondering whether it is possible to burn brilliantly like a million suns without destroying oneself, and what the consequences are for people who want to burn brilliantl ybut don't have the talent to leave a legacy like Jimi Hendrix or Janis Joplin. Most musicians I listen to did not live past fifty, an age that I am rapidly approaching. Quite a few of them managed it more by luck than anything else (I recently saw interviews with Pete Townsend and David Bowie in which they looked distinctly faded). Would my life have been happier and less tormented if at the age of 12 I hadn't intuitively recognised that Abba did not own an ounce of originality between them? If I could have shuffled my feet to Waterloo without feeling a twinge of embarassment or desire to find real music, where people suffer and die too young, could I have pursued an uneventful and normal life?

Saturday, 9 June 2007

It's only rock 'n' roll

Jumping Jack Flash

I’ve been going to rock concerts for more than thirty years – (but much less frequently these days) - and I have never seen the Stones. I was a fan when I was about nine or ten – they were sexy, arrogant, upset the establishment – and equally importantly my parents. By the time I was a teenager and able to go to gigs they were the establishment and it was hip not to like them. But hell they’ve been playing together 45 years now. Generations of rock heroes have come and gone but the Stones are still strutting it. Let’s go and pay respect.

I went without too many expectations. Mostly about big crowds, a distant stage, overpriced beer and burgers, smelly toilets and overpaid prima donnas. But they were awesome. They fully deserve their reputation as the best rock n roll band in the world. Because they are. Their music has become so familiar that it sometime seems like wallpaper. Hell you even hear it in shopping malls these days. But to see them play it live is something else. From the opening chords of Start Me Up we all knew this was the real McCoy. Everyone knows the Stones songs – but seeing them played live makes you remember what all the fuss was about.
Watching them do Its All Over Now and Paint It Black bought back memories of watching them on top of the pop in black and white and my parents or uncle saying they’ll never last. And I bet Keith or Mick’s mothers said to them -“”yes but what you are going to do when you grow old?” Against all odds they’re still doing it and better than how many generations of rockers who followed. Mick is a bundle of energy – a Pan like figure who never grows old – and is sometimes ridiculed for that – but who is still the best rock front man in the world. At 65 he has the body, energy and arrogance of a 20 year old. He must have done 10km up and down the stage never stopping- one can’t stop thinking he has made some Faustian pact and there is a painting of him mouldering away in an attic a la Dorian Grey. Keef, whose continued presence on this planet defies most bookmaker’s odds goes walkabouts a lot too, though often to light up another fag. If they ever ban smoking in public halls surely they will think about calling it a day. Seeing Mick and Keef in the same frame on the video screen was one of those 'shivers up the spine' moments, that don’t happen very often.

The acoustics were superb, the stage set well thought through, the effects were special and were sparingly used so they did surprise and the back up band tighter than an ozzie's grip on a beer can. I never really thought I wanted to see the Stones – but I’m so glad I did. Quite simply one of, if not the best, gigs I have ever seen. It reminded me that rock n roll has a special place in my life.



Photo copyright http:www.iorr.org/
For other reviews and photos check http://www.iorr.org/tour05/nijmegen.htm